Kit Hammonds, in conversation with Stephen Foster in 2010, discusses how art practice, mapping and cartography come together within the exhibition Ground Level, which showcases international artists who perform their own personal forms of cartography. Hammonds was the winner of the Hayward Touring Curatorial Open 2010.

Caroline Bergvall, in conversation with Stephen Foster in 2010, talks about her exhibition Middling English, which explores some of the pleasures and complexities of language use, in and through writing.

Jay Bolotin, in conversation with Stephen Foster in 2008, discusses his exhibition the 'Jackleg Testament Part I: Jack & Eve and other works', featuring a motion picture derived from woodcuts, a hybrid of German expressionism, Brueghel and medieval religious imagery. The film reinterprets the story of Adam and Eve as a dark and provocative tale in which Eve is lured from the Garden of Eden by a Jack-in-the-box.

Juan Bolivar, in conversation with Stephen Foster in 2008, discusses his exhibition Geometry Wars, comprising twenty one paintings and two sculptures. Bolivar's work playfully exists somewhere between abstraction and the recognisable world, and hints at both humour and tragedy.

Ruth Maclennan, in conversation with Stephen Foster in 2010, talks about her exhibition Anarcadia, which features a video projection and accompanying photo-series shot amongst the desert expenses of Kazakhstan. Co-commissioned by Film and Video Umbrella and John Hansard Gallery.

Tim Brennan, in conversation with Stephen Foster in 2009, talks about his exhibition English Anxieties, which combines original archival material of Mass Observation and the re-working of an account by British explorer and archaeologist T.C. Lethbridge of a concealed enemy presence in Cambridgeshire; by taking descriptions and drawings made by Lethbridge as a starting point, the work represents this data in the form of large, colourful maps inspired by the Isotype graphical system developed in the 1930s.

Zineb Sedira, in conversation with Stephen Foster in 2009, discusses her exhibition Seafaring, a series of film and photographic works set against the maritime backdrop of North Africa, the Mediterranean and the Atlantic.

Steve Beard, Victoria Halford, Steve Rowell and Neal White, in conversation with Stephen Foster in 2009, discuss their exhibition Dark Places, which uncovers sites of secrecy and technology across Britain. Commissioned by the Arts Catalyst and co-curated with the Office of Experiments, John Hansard Gallery and SCAN, the exhibition presents new artists’ works that explores spaces and institutions below the radar of common knowledge.

As part of the Talking Heads Lecture Series, filmed in November 2010: musician, composer, producer and artist Brian Eno talks about his time at art school in the postwar 1960’s and the influence of tutor and artist, Tom Phillips; and reflects on the central question of why art exists, and why artists choose to engage with art practice.

This short video describes the launch of City Portraits, a major new public artwork and research project organised in association with John Hansard Gallery, artist Laura Hensser and Paul Sweetman, Senior Lecturer in Sociology, University of Southampton. In 2010 Twenty Southampton residents were photographed for a series of full-length, life-sized portraits, installed on banners and suspended above the city’s newly refurbished Guildhall Square.